Technology/Equipment Grant for Individual Artist

Project Details by Fiscal Year
2015 Fiscal Year Funding Amount
$417
Fund Source
Arts & Cultural Heritage Fund
Recipient
Lily Winter
Recipient Type
Individual
Status
In Progress
Start Date
May 2015
End Date
May 2020
Activity Type
Grants/Contracts
Counties Affected
Itasca
St. Louis
Crow Wing
Beltrami
Cass
Itasca
St. Louis
Crow Wing
Beltrami
Cass
Project Overview
Technology/Equipment Grant for Individual Artist
Project Details
Rolling Mill for Advanced Metalwork in Jewelry Making. A rolling mill is a device that acts like a rolling pin on metal. At the moment I'm using mostly small hand-held tools meant for the novice jeweler. A rolling mill can texture and shape metal in ways that I can't do with my current tools. Scraps of metal can be taken from the discard pile, then melted down and rolled into sheets with a rolling mill. A rolling mill would help me advance to the next level as a jewelry artist.
Competitive Grant Making Body
Board Members and Qualifications
Erling Ellison: jewelry designer and creator, speech coach and judge, director of Garrison Art Fair; Ken Bloom: Director of Tweed Museum of Art, University of Minnesota-Duluth; Janeen Carey: vocalist, retired Hibbing Community College librarian and information media specialist; Kate Fitzgerald: Program Director North Shore Music Association, writer; Peter Pestalozzi: furniture maker, wood worker; David Beard: Assistant Professor University of Minnesota-Duluth writing studies; Mark King: actor, theater reviewer, musician; Adam Guggemos: graphic designer, art events promoter; Michelle Ronning: jewelry designer and maker; John Gregor: photographer, art educator, community art advocate; Ann Russ: music performer, community song leader, choir director, workshop leader, past director and founder of North Shore Music Association; Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Dana Mattice: Development and Communications Director of The Art Institute Duluth, Shannon Sweeney: stage manager for Duluth Playhouse and former production manager for the Minnesota Ballet; Moira Villiard: visual artist and student of arts and communication at University of Wisconsin-Superior.
Advisory Group Members and Qualifications
Adam Guggemos: graphic designer, art events promoter; Michelle Ronning: jewelry designer and maker; Moira Villiard: visual artist and student of arts and communication at University of Wisconsin-Superior; John Gregor: photographer, art educator, community art advocate; Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Dana Mattice: Development and Communications Director of The Art Institute Duluth; Janeen Carey: vocalist, retired Hibbing Community College librarian and information media specialist.
Legal Citation / Subdivision
Laws of Minnesota 2013, Chapter 137, Article 4, Section 2, Subdivision 3
Appropriation Language

ACHF Arts Access ACHF Arts Education

2015 Fiscal Year Funding Amount
$417
Other Funds Leveraged
$773
Direct expenses
$1,190
Administration costs
$0
Number of full time equivalents funded
0
Proposed Measurable Outcome(s)

Artists reach a point in their creative lives, often more than once, when they've mastered the level they're at, and are ready to advance to the next level, to take the next step. A rolling mill would give me the freedom and power to re-shape my metal, allow me to create more challenging and elaborate designs, to go from a beginner-level artist to a serious artist. It would also give me the ability to recycle my metal waste by melting it down and making it into sheets, ready for new work. A rolling mill would help me take the next step as an artist. There are several ways to evaluate my work once I begin using the rolling mill. First, is the ability to master all aspects of the rolling mill. This will be self-evident. I know what the rolling mill can do, and I will know if the work I produce with it will stand up to a basic level of scrutiny. The next step would be to get feedback from other artists, and various people in the arts community whose opinions I trust. Last, and most important, is the process of presenting your work to the public. This is the acid test. A stranger looks at your work and either approves of what they see, or they do not. I'm confident that I can master the rolling mill, I believe that people in the arts community will give me good feedback, and I'm hopeful that the public will appreciate what I create with my new tool.

Measurable Outcome(s)

As stated in my original application, there are several ways to evaluate my work once I begin using the rolling mill: First, is the ability to master all aspects of the rolling mill. This will be self-evident. I know what the rolling mill can do, and I will know if the work I produce with it will stand up to a basic level of scrutiny. The next step would be to get feedback from other artists, and various people in the arts community whose opinions I trust. Last, and most important, is the process of presenting your work to the public. This is the acid test. A stranger looks at your work and either approves of what they see, or they do not. I have had the rolling mill for a fairly short time--I am currently learning all aspects of it. Once I feel comfortable with it, I will show my work to other working artists whose opinions I trust. Finally, I will present my work to the public.

Description of Funds
Source of Additional Funds

Other, local or private

Project Manager
First Name
Lily
Last Name
Winter
Organization Name
Lily Winter
State
MN
Phone
(218) 301-9816
Email
lilywinterjewelry@yahoo.com
Administered By
Administered by
Location

Griggs Midway Building, Suite 304,
540 Fairview Avenue North,
St. Paul, MN 55104

Phone
(651) 539-2650 or toll-free (800) 866-2787
Email the Agency
Location

424 West Superior Street, Suite 104
Duluth, MN 55802

Phone
Project Manager: Rebecca Graves
218-722-0952
Email the Agency