Technology/Equipment Grant for Individual Artist

Project Details by Fiscal Year
2015 Fiscal Year Funding Amount
$700
Fund Source
Arts & Cultural Heritage Fund
Recipient
Jesse Hoheisel
Recipient Type
Individual
Status
Completed
Start Date
June 2015
End Date
September 2015
Activity Type
Grants/Contracts
Counties Affected
St. Louis
St. Louis
Project Overview
Technology/Equipment Grant for Individual Artist
Project Details
Over the last two and a half years, I composed film scores for various film directors and producers, both highlighting original compositions specifically for the films as well as offering previously produced pieces. I want to further develop these relationships with these particular filmmakers by scoring upcoming film projects that will be completed by autumn of 2015. The Arrowhead Regional Arts Council Technology and Equipment funds will be used to upgrade equipment necessary to complete these film scores including a computer with monitors and the capacity to record and handle large files and other musical equipment.
Competitive Grant Making Body
Board Members and Qualifications
Erling Ellison: jewelry designer and creator, speech coach and judge, director of Garrison Art Fair; Ken Bloom: Director of Tweed Museum of Art, University of Minnesota-Duluth; Janeen Carey: vocalist, retired Hibbing Community College librarian and information media specialist; Kate Fitzgerald: Program Director North Shore Music Association, writer; Peter Pestalozzi: furniture maker, wood worker; David Beard: Assistant Professor University of Minnesota-Duluth writing studies; Mark King: actor, theater reviewer, musician; Adam Guggemos: graphic designer, art events promoter; Michelle Ronning: jewelry designer and maker; John Gregor: photographer, art educator, community art advocate; Ann Russ: music performer, community song leader, choir director, workshop leader, past director and founder of North Shore Music Association; Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Dana Mattice: Development and Communications Director of The Art Institute Duluth, Shannon Sweeney: stage manager for Duluth Playhouse and former production manager for the Minnesota Ballet; Moira Villiard: visual artist and student of arts and communication at University of Wisconsin-Superior.
Advisory Group Members and Qualifications
Adam Guggemos: graphic designer, art events promoter; Michelle Ronning: jewelry designer and maker; Moira Villiard: visual artist and student of arts and communication at University of Wisconsin-Superior; John Gregor: photographer, art educator, community art advocate; Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Dana Mattice: Development and Communications Director of The Art Institute Duluth; Janeen Carey: vocalist, retired Hibbing Community College librarian and information media specialist.
Conflict of Interest Contact
Arrowhead Regional Arts Council, Robert DeArmond (218) 722-0952
Legal Citation / Subdivision
Laws of Minnesota 2013, Chapter 137, Article 4, Section 2, Subdivision 3
Appropriation Language

ACHF Arts Access ACHF Arts Education

2015 Fiscal Year Funding Amount
$700
Other Funds Leveraged
$1,695
Direct expenses
$2,395
Administration costs
$0
Number of full time equivalents funded
0
Proposed Measurable Outcome(s)

My goal is to increase my overall flexibility and capacity regarding film score production so I can take advantage of time sensitive collaborations with filmmakers as they arise, by obtaining technology necessary to actualize my compositions. In addition, I would like to expand my collection of musical pieces that I can share with potential film collaborators for future use, independent of contracted projects. Recording multiple acoustic tracks simultaneously or electronic software instruments create lag time on equipment that can no longer keep up to the task of recording them. I want to eliminate this barrier that holds back the potential of musical ideas presented by film directors and myself and the ability to make them realized for our collaborative efforts. Whether it’s an acoustic drum set, a string section or electronic synth keyboards, I want fewer impediments to what I can accomplish. In order to properly build film compositions I need to track multiple instruments within one piece of music without being stifled by the prospect of losing these large files to computer crashes or other errors. Updating my computer is the first step to ensuring security of files and increased capacity to build these larger compositions. Increasing this capacity improves my ability to respond to the filmmaker's needs and crafting my own artistic vision in a short time frame. The addition of monitors that have a flat frequency response (i.e. no added bass or treble for home use) provides a better palette for sound production of a given project without running into the problem of, for example, too much bass on an instrument discovered after the fact, thus needing to be either reworked or rejected outright for a film project. As collaboration between these filmmakers and myself become more frequent, it is critical to have monitors that accurately represent the sound I am producing.

Measurable Outcome(s)

Actual work released in any form (internet sites, film scores, recorded musical projects).

Description of Funds
Source of Additional Funds

Other, local or private

Project Manager
First Name
Jesse
Last Name
Hoheisel
Organization Name
Jesse Hoheisel
State
MN
Phone
(218) 410-1159
Email
hoheiselhaus@gmail.com
Administered By
Administered by
Location

Griggs Midway Building, Suite 304,
540 Fairview Avenue North,
St. Paul, MN 55104

Phone
(651) 539-2650 or toll-free (800) 866-2787
Email the Agency
Location


332 West Superior Street, Suite 204
Duluth, MN 55802

Phone
Project Manager: Rebecca Graves
(218) 722-0952
Email the Agency