Partners in Arts Participation
Partners in Arts Participation
ThinkSelf will coordinate a bilingual production by deaf and hearing artists that promotes awareness and discussion on the epidemic of emotional abuse in domestic relationships.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Member of the Smithsonian National Board. Former chair of the board, Hirshhorn Museum and Sculpture Garden. Officer at Large, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design.; Michael Charron: Dean of the School of the Arts, Saint Mary?s University of Minnesota. Vice Chair, Minnesota State Arts Board.; Rebecca Davis-Lee: Touring pianist, piano and music theory teacher. Vice Chair, Minnesota State Arts Board.; Sean Dowse, Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Secretary/Treasurer, Minnesota State Arts Board.; David Glenn: Ceramic artist. former executive director of the Minnesota Project.; Thomas Moss: Consultant to nonprofits and government agencies. Chair, Minnesota State Arts Board; Janice Sivertson: Gallery owner and visual artist; Dobson West: Senior advisor, Spell Capital Partners Fund; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre
Lana Barkawi: Executive director, Mizna; Julia Donaldson: Director of advancement, Pillsbury United Communities; Tabitha Montgomery: Executive director, Powderhorn Park Neighborhood Association; Karen Quiroz: Professional vocalist, Brazilian music; Stacey Robison: Ceramicist; visual arts studio manager, Interact Center for Visual and Performing Arts; Moira Villiard: Visual artist and graphic designer; arts and cultural programming coordinator, American Indian Community Housing Organization, Duluth
ACHF Arts Access
Merge two languages onstage in parallel performances, improve access and cross cultural exposure for all attendees and expand the skill set of artists. Outcomes will be measured via attendance numbers, surveys and feedback during post-play workshops/focus groups. 2: A production centered on emotional abuse will increase community awareness, encourage engagement and allow for dissemination opportunities. Outcomes will be measured via attendance numbers, surveys and feedback during post-play workshops/focus groups.
Merge two languages onstage in parallel performances, improve access and cross cultural exposure for all attendees and expand the skill set of artists. Outcomes will be measured via attendance numbers, surveys, educational opportunities, opening night reception, and a theatre tour. 2: A production centered on emotional abuse will increase community awareness, encourage engagement and allow for dissemination opportunities. Outcomes will be measured via attendance numbers, surveys, educational opportunities, opening night reception, and a theatre tour.
Other, local or private