Operating Support
Operating Support
Theater Latte-Da seeks to create new connections between story, music, artist, and audience by exploring and expanding the art of musical theater.
Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Officer at-large, Minnesota State Arts Board; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Secretary/Treasurer, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
William Adams: Public policy consultant; community leader of Kaddatz Galleries creation; Ann Fee: Executive director, Arts Center of Saint Peter; teaching artist, writer, editor, and instructor; Marjorie Grevious: Homeowner development manager, Twin Cities Habitat for Humanity; Paula Justich: Program director of arts and cultural management, Saint Mary's University of Minnesota; Sarah Larsson: Outreach and development director, Somali Museum of Minnesota; Anne Makepeace: Grand Center for Arts and Culture founder executive director; Steven Richardson: Director of the arts, Carleton College; Deneane Richburg: Dancer and choreographer; founder of Brownbody; Jonathan Rutter: Executive director and curator, The Rourke Art Gallery + Museum; Carla Tamburro, Coordinator, Park Point Art Fair, Duluth; art educator
ACHF Arts Access
Broader audiences will attend TLD performances of reimagined and new musical theater works and deepen their connection to the work. We will evaluate audience growth and connectivity by number of attendees, surveys measuring emotional and intellectual engagement; participation in post-show discussions and in-person and online comments. 2: Minnesota artists from diverse backgrounds will collaborate in presenting TLD mainstage productions and will develop and shape new musical theater work. Artist surveys will measure diversity and provide feedback on TLD's production process. Media coverage (interviews, reviews) and post-show discussions will be measures of career and artistic growth.
In 2018-19, over 37,000 people attended performances of reimagined and new musical theater at TLD. Audiences were connected, moved, and stimulated. TLD used the following methods: post-show survey results measuring emotional and intellectual reactions; ticket sales reports indicating audience growth; and audience comments made during post-show discussions, in-person to staff, and left online. 2: In 2018-19, TLD hired hundreds of diverse Minnesota artists for their work on the mainstage and behind the scenes and in the development of new work. TLD used the following methods: comments collected during conversations with artists before, during, and after the production process, post-show conversations, and media coverage.
Other, local or private