Operating Support
Operating Support
General operating support
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary’s University of Minnesota. Vice Chair, Minnesota State Arts Board.; Wendy Dayton: Arts and community leader and philanthopist.; Sean Dowse: Executive director, Sheldon Theatre. Board member for Minnesota Music Coalition, Minnesota Citizens for the Arts, and Anderson Center for Interdisciplinary Studies.; David Glenn, Executive director of the Minnesota Project, ceramic artist; Benjamin Klipfel: Board member, Minnesota State Arts Board. Executive Director, Alexandria Area Arts Association, Inc. Director and arts educator.; Ellen McInnis: Director of Twin Cities government relations, Wells Fargo. Member of Bottineau Boulevard Partnership. Chair, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies; Janice Sivertson: Gallery owner and visual artist; Anton Treuer: Professor of Ojibwe, Bemidji State University.
Paul Boehnke: Artistic Director, Bach Society of Minnesota; Bradley Delzer: Performer and board member, Theatre B, Fargo; Millicent Engisch-Morris: Artistic director, The Crossing Arts Alliance; owner, Quiet River Studio.; Curtis Gruhl: Retired business and finance manager; former teacher; performer and director; treasurer, Red Wing Art Association; Anna Johnson: Arts Administrator and consultant, specializing in development; former administrative manager, Minnesota Chorale; Bradley Kruse: Program director for SRI, Bayport; board treasurer, Minnesota Council of Foundations; Gina Kundan: Director, Center for Health Interprofessional Programs, University of Minnesota; Board chair, Ananya Dance Theatre; Richard Robbins: Professor of English and director of the creative writing program, Minnesota State University, Mankato; Peter Spooner: Former curator, Tweed Museum of Art, University of Minnesota Duluth|Andy Zimney, Director of retreat programs, Youth Frontiers; helped to found Theatre Limina
ACHF Arts Access
Expand awareness of folkdancing as a fun way to participate in an art form, to connect with history and heritage, to enhance well-being. Increased activity on Facebook; more collaborations and publicity with colleges; senior centers; ethnic based associations; area health and wellness entities. 2: Support groups representing heritage folkdance forms (Morris dancers, Scottish, etc.) and expand subsidized rentals to community dancers (modern, jazz, fusion, non-European, etc.) Offer discounted rental rates to dance groups and individual dancers (lower than rentals for non-dance events). Assist with publicity to serve these dancers and dance groups in reaching their audiences.
Awareness of folkdancing as a fun, healthy, accessible art form has been expanded, as proposed. In March 2013 we had under 400 Facebook fans; we have 742 today. Our Chair dance series at an area senior center has residents talking about it long afterwards. Yoga and dance/meditation groups now use our space; they came to us from our outreach. Tapestry is aiding dance groups and community dancers by providing space for dancing and teaching, at subsidized rentals.
Other, local or private