Operating Support
Operating Support
General operating support
Judson Bemis Jr., Actor, arts administrator, founder and principal of Clere Consulting. Secretary, Minnesota State Arts Board.; Ardell Brede, Mayor of Rochester, elected 2002.; Peggy Burnet, Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Michael Charron, Dean of the School of the Arts, Saint Mary’s University of Minnesota. Vice Chair, Minnesota State Arts Board.; Sean Dowse, Executive director, Sheldon Theatre. Board member for Minnesota Music Coalition, Minnesota Citizens for the Arts, and Anderson Center for Interdisciplinary Studies.; John Gunyou, City manager, Minnetonka.; Benjamin Klipfel, Board member, Minnesota State Arts Board. Executive Director, Alexandria Area Arts Association, Inc. Director and arts educator.; Ellen McInnis, Director of Twin Cities government relations, Wells Fargo. Member of Bottineau Boulevard Partnership. Chair, Minnesota State Arts Board.; Pamela Perri, Executive vice president, Builders Association of Minnesota.; Margaret Rapp, Former educator, Saint Paul Academy and Summit School. Officer at-large, Minnesota State Arts Board.; Anton Treuer, Professor of Ojibwe, Bemidji State University.
Lawrence Adams: Principal, LarsonAllen, LLP.; Jonathan Carter: Solutions development manager, General Mills.; Ellen Copperud: Board member, Southwest Minnesota Arts and Humanities Council.; Kenna Cottman Sarge: Artistic director, Voice of Culture Drum and Dance. Educator, TU Dance Center. Dancer with Pramila Vasudevan.; Hong Dice: Professor of music, Carleton College, and Central Conservatory of Music in Beijing; Antony Goddard: Executive director, Paramount Arts Resource Trust, and St Cloud Opportunities.; Anna Johnson: Independent arts consultant; Therese Kunz: Creative director, Longville Arts Center; Founder, Screen Porch Productions, Inc.; Janis Lane-Ewart: Executive director and volunteer programmer, KFAI. Treasurer, Association of Minnesota Public Educational Radio Stations, and National Federation of Community Broadcasters.|Peter Spooner, Curator, Tweed Museum of Art. Board member, Duluth Public Arts Commission, Duluth Public Library, Artists Relief Fund, and Chester Bowl Improvement Club.
FTE funded and admin costs corrected, 2/26/2015.
ACHF Arts Access
People of all ages, ethnicities, and abilities participate in the arts. Productions showcasing theatre artists of color were prioritized for 2012 and 2013, leading to the scheduling of Legacy Live (led by Luis Castillo with a company of African American, Latino, and biracial performers) in July 2012 and Sisters! by Jevetta and Jearlyn Steele and featuring a company of the best African American musical theatre artists in the region in June 2013. Similarly, staff hiring is acting affirmatively in its pursuit of seasonal and year-round employees. Marketing efforts to identify, welcome, and invite populations of color will match programmatic efforts. We will assess the number of Minnesota artists (and arts companies) paid to participate as performers, directors, designers, technicians, choreographers, composers, musical directors, musicians, dancers, and educators with an eye on growing that number. 2: The Arts Thrive In Minnesota. In the grant period, 2012-14, Theatre l’Homme Dieu will produce and present the work of eighteen Minnesota professional theatres, performance artists, and performing companies. Theatre l’Homme Dieu is devoted to bringing in the best performances and performers for Lakes Region audiences with the caveat that all companies be from Minnesota and that all artists are paid. Theatre l’Homme Dieu will also brand its facilities and compound to be a place of assembly for people of all ages from throughout Central Minnesota, featuring high school performances, summer theatre and dance classes, and civic meetings, as well as serving as a gathering place for social, fraternal, and professional associations. We will use 2011 statistical data as a guide and track the breadth and diversity of audiences via data base analysis and surveys, in terms of expanded geographic reach, in terms of race and culture, and in terms of age.
During the 2012 season, 53 artists worked at Theatre L'Homme Dieu. All six companies that came to the theatre during that season were Minnesota based companies. In 2013, all six companies will, once again, be Minnesota based companies, and it is anticipated that at least 70 artists, musical directors, musicians, directors, dancers and technicians will be a part of the season, all of whom are based in Minnesota as well. 2: Theatre L'Homme Dieu continues to work on this through the use of surveys. During the 2012 season, productions like Gilligan's Island, the Musical and Legacy Tribute to the King of Pop brought new, younger audiences to the theatre. The latter also brought a more ethnically diverse crowd, drawing audiences not only from the area, but also from the Twin Cities. A post-season survey is planned for 2013 to assess how/if the theatre has developed over the past season.
Other
local or private