Operating Support
Operating Support
Her Voice Productions is a diverse community that sings, performs, and affirms the voices of women and girls.
Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, Duluth Art Institute
Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, Duluth Art Institute
ACHF Arts Access
Develop, and present high quality choral music programming for women and girls' voices focused on growth, connection, and female empowerment. Participants feel empowered, affirmed, satisfied (survey/discussion); volunteer and audience satisfaction (survey/discussion); artistic evaluation by staff; post-event discussions. 2: Provide relevant, inclusive, and accessible choral arts/music education programming with a low cost to participate and attend. Participant and audience surveys; participant/audience feedback on accessibility, relevance, and inclusivity (surveys/discussions); increased scholarship capacity.
We have created and performed high-quality choral music. Our music programming for women was focused on growth, connection, and female empowerment. Participants felt empowered, affirmed, and satisfied (survey/discussion); volunteer and audience satisfaction was high (survey/discussion); artistic evaluation was conducted by staff; post-event discussions. 2: We have provided relevant, inclusive, and accessible choral arts/music education programming with a low cost to participate and attend. We conducted participant and audience surveys, and we received feedback on accessibility. We also conducted relevance and inclusivity surveys/discussions.
Other, local or private