Operating Support
Operating Support
FilmNorth's mission is to empower artists to tell their stories, launch and sustain successful careers, and advance The North as a leader in the national network of independent filmmakers.
Uri Camarena: business consultant; Michael Charron: arts educator and an arts and civic leader; Richard Cohen: attorney in private practice and a former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist and campaign manager; Philip McKenzie: team lead with Denver Air, adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Dobson West: retired attorney; Christina Widdess: nonprofit consultant; former arts administrator; Christina Woods: executive director, Duluth Art Institute
Uri Camarena: business consultant; Michael Charron: arts educator and an arts and civic leader; Richard Cohen: attorney in private practice and a former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist and campaign manager; Philip McKenzie: team lead with Denver Air, adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Dobson West: retired attorney; Christina Widdess: nonprofit consultant; former arts administrator; Christina Woods: executive director, Duluth Art Institute
ACHF Arts Access
More Minnesotans from underrepresented communities engage with FilmNorth programming to tell their stories in their own voice. Quantitatively, FilmNorth will measure participation levels through analysis of class, workshop, and FilmNorth Forum registrations. Qualitatively, surveys are given to all participants to measure the quality of programs and accessibility. 2: Programming at FilmNorth expands to offer deep, rich artistic development for Minnesota artists. Quantitatively, FilmNorth will track new and expanded programming for Minnesota artists and compare participation to programs in prior years. Qualitatively, surveys are given to all participants to measure the quality of programs.
There was an increase in the number of Minnesotans from underrepresented communities engaging in FilmNorth programming. FilmNorth analyzed registrations, applications for Fiscal Sponsorship, and applications or the McKnight Media Arts Fellowships. All participants were given to opportunity to provide feedback through surveys. 2: FilmNorth expanded programming to include new youth programs and a new film lab. FilmNorth tracked new programming and compared participation in those programs to existing programming. All participants were given the opportunity to provide feedback through surveys and formal and informal discussions.
Other, local or private