Operating Support
ACHF Arts Access
Honors Choirs will strive to provide artistic challenge and growth opportunities for singers and the community. The abilities of the ensembles vary season to season as singers move from one ensemble to the next. The artistic staff selects first semester music based on what they expect the singers to be able to achieve. Second semester repertoire is selected by the conductor with the goal of providing music that will be challenging to the ensemble and provide the means to stretch their abilities as they learn more skills. By choosing carefully from a variety of genres, styles and composers, the artistic staff ensures the singers are challenged and are able to learn through the challenge. This evaluation is ongoing by the artistic director, including a discussion at the end of the season with each conductor, specifically addressing repertoire. All repertoire selections are reviewed by the artistic director to ensure the appropriate level of difficulty and learning opportunities. 2: Honors Choirs will continue to hold the highest standard of excellence while recognizing the importance of the organization’s affordability to singers and their families. The staff and board members regularly reviewed the concert attendance figures as well as the level of enrollment as indicators of the health of the organization and the excellence of the program. Additionally, we conducted a post-season survey to determine the value of the program to our families. Data suggests that families view tuition as on-par with their other activities and a good/excellent value to their singer.
The 2012-13 season featured a variety of repertoire including many musical styles, cultures, and languages. Challenging repertoire included music of composers such as Handel, Vivaldi, Mozart, and Brahms, alongside pieces by Rutter, Papoulis, Clausen, and Leavitt. Singers performed in several foreign languages such as Italian, Yoruba, German, and Latin. Singers in all four ensembles had the opportunity to audition for solo parts, and perform outside the traditional concert setting including school outreach tours, public venue performances, and a major tour to New York City. Additionally, Concert Choir performed complex repertoire collaboratively on two separate occasions this season: Rutter's Gloria, with adult choir Choral Arts Ensemble, and Rene Clausen's The Midnight Ride of Paul Revere performed at Lincoln Center in New York City along with musicians and singers from across the country. 2: Scholarships provided funding to all singers with need, including assistance to Concert Choir singers traveling to New York City. We added several fundraising options to help singers defray the cost of the New York City tour. Proceeds from both of these fundraisers were credited 100% to singers' accounts, and many of the singers participated. A focus was put on utilizing volunteers from within our membership, resulting this past season in the formation of a regular group of helpers for concerts, publicity, and outreach activities. Utilizing volunteers keeps our administrative hours low, while capitalizing on the many talented individuals in our midst. Outside funding this season included the historically reliable contributors as well as new resources. We exceeded the giving goal from individual donors. Enrollment remained consistent to that of previous seasons, and attrition remained low. Attendance at concerts remained consistent.
Other
local or private