Operating Support
Operating Support
Interact Center for the Performing and Visual Arts creates art that challenges perceptions of disability.??
Peggy Burnet: entrepreneur, art collector, and community volunteer; Uri Camarena: director of business consulting with Metroplitan Economic Development Association (MEDA); Michael Charron: arts educator and an arts and civic leader; Richard Cohen: attorney in private practice and a former state legislator; Sean Dowse: arts advocate, arts practitioner, and civic leader; Anthony Gardner, vice president, marketing and communications at CentraCare; Philip McKenzie: team lead with Boutique Air, founder and owner of Bluedoor 74, adjunct college faculty; Mary McReynolds-Pellinen: executive director, Lyric Center for the Arts; Dobson West: retired attorney; Christina Widdess: nonprofit consultant; former managing director, Penumbra Theatre
Peggy Burnet: entrepreneur, art collector, and community volunteer; Uri Camarena: director of business consulting with Metroplitan Economic Development Association (MEDA); Michael Charron: arts educator and an arts and civic leader; Richard Cohen: attorney in private practice and a former state legislator; Sean Dowse: arts advocate, arts practitioner, and civic leader; Anthony Gardner, vice president, marketing and communications at CentraCare; Philip McKenzie: team lead with Boutique Air, founder and owner of Bluedoor 74, adjunct college faculty; Mary McReynolds-Pellinen: executive director, Lyric Center for the Arts; Dobson West: retired attorney; Christina Widdess: nonprofit consultant; former managing director, Penumbra Theatre
ACHF Arts Access
Artists with disabilities experience personal creative growth, collaborate with mainstream professionals, change public perceptions of disability. Number of regularity of artist participation, number ofevent audience, $ sales. Assess artistic satisfaction, changes in public perception after experiencing work: via discussions, surveys, pre-post interviews.
Artists with disabilities experienced personal creative growth, collaborated with mainstream professionals, and change perceptions of disability. WE recorded participation in our theater and studio programs, # of audience at events, $ value of ticket and art sales. Assessed quantitative information through conversations with artists and audiences, group discussions, and surveys.
Other, local or private