Individual Artist Project Grant (INDIVIDUALS ONLY)
Individual Artist Project Grant (INDIVIDUALS ONLY)
I will create unique artistic sapling broom handles through exploring the use of arborglyphs and methods for influencing the shape of saplings' growth. I will spread awareness about the cultural practice and ethics of arborglyphs.
Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Amber Burns: choreographer, dancer, actor, middle school art teacher; Tammy Mattonen: visual artists, co-founder of Crescendo Youth Orchestra; Kayla Aubid: Native American craft artist, writer, employee at MacRostie Art Center; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner; Emily Swanson: arts administrator at Oldenburg Arts and Cultural Community.
Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner; Roxann Berglund: musician; Joseph Nease: gallery owner; Esther Piszczek: mixed media and visual artist, arts instructor.
ACHF Arts Access
This project will benefit my community through education about a historical and cultural art form. Not many people with whom I have spoken are aware of the history and culture surrounding arborglyphs. I will further have the opportunity to speak of the ethics of arborglyphs versus ?tree graffiti? and the impacts that these practices have on culture, wilderness experiences and tree health. Furthermore, I believe that my community is comprised not only of the people which whom I interact but also the earth, water, plants and animals that are around me. I view this project as an opportunity for me to be in collaboration with the saplings I carve, etch and wrap in various ways. This project will connect me more deeply to this community and will make me a more responsible member of this wider community since I do not want my art form to impact my surroundings negatively. Through this project I will bring an art form that has been practiced by indigenous and immigrant cultures worldwide into a new conceptual landscape and continue to explore ways to stand out in a growing field of broom artists. I will develop a unique style of embellishments for my broom handles and I will also create a platform for conversations about arborglyphs versus ?tree graffiti? and the ethics surrounding these practices. Measurable outcomes for this process will consist of the number of handles I create through the use of these arborglyph techniques and other methods for influencing the growth form of the saplings, as well as the income from sales of these brooms. I will track the number of educational brochures distributed as well as opportunities for conversations about arborglyphs. Throughout my artistic career I have received a few grants and have been part of a two-year residency program. These experiences have taught me about the importance of spending money wisely, carrying a project through to completion and reporting on the project. Last spring, I applied to hold an exhibition of artistic brooms and dustpans at Johnson Heritage post-Art Gallery in Grand Marias, and my acceptance for a show in January of 2020 gave me the opportunity to create a vision and follow through to create something truly unique and well-received. My pure interest and excitement about this particular project is another confidence-builder. I have envisioned these ideas for a long time and I am ready to make this a priority.To understand whether this project was a success, I will track the number of broom handles successfully created through the processes of using arborglyphs and other unique forms as compared to the number of attempts. I will track my time invested into this project and the number of sales and resulting income from this new style of broom. I will also track public response to the work through tracking feedback in person, through social media and through the comments section on my website. If I can deem this work a success this year, I plan to submit one of these brooms to a competition held next year at the national broom makers gathering, which will allow me a further gauge of the success of this project.
My artistic goals for this project we comprised of three parts, all of which I accomplished. Firstly, I learned about and used methods for creating arborglyphs on saplings. Arborglyphs are comprised of images, patterns or words carved into the bark of living trees, which then heal over leaving a scar on the surface. This project allowed me to experiment with combination of carving methods, species and patterns that achieve my goals. Secondly, I explored methods for influencing the growth patterns of living saplings in ways to create visually compelling broom handles. I worked towards this goal by finding suitable, long lasting materials with which to wrap saplings to create spiraled broom handles. My third objective was to create an educational brochure about the cultural history and ethics of arborglyphs to be distributed with each broom I sell that features this process and allowed me to use this project as a platform of discussion on history and ethics.