Folk and Traditional Arts
Folk and Traditional Arts
The Cultural Society of Filipino-Americans will present Pamana XI, consisting of thirty folk dances that represent the uniqueness of the various regions of the Philippines and the people they represent.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Officer at-large, Minnesota State Arts Board; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Secretary/Treasurer, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
Anne Adabra: Founder and chair, Minnesota Haitian Cultural Center; social studies teacher; dancer and storyteller; Carol Colburn: Teacher and researcher, Scandinavian garment making; Rhonda Dass: Professor of anthropology, Minnesota State University, Mankato; Lesly Gámez: Teacher, St Paul Public Schools. Dancer, Los Alegres Bailadores; Sarina Partridge: Educator and musician; Mai Vang: Founder of Hmong Museum; collections manager at Minnesota Museum of American Art; Gwen Nell Westerman Wasicuna: Poet and fiber artist
ACHF Cultural Heritage
To promote and preserve a wealth of Filipino cultural heritage, and to share the Filipino community and our traditions to our fellow Minnesotans. We will solicit audience feedback through a post-performance survey. We intend to find from the evaluation how we have reached our target audience in terms of numbers and the level of entertainment and educational value they get from the production. 2: We hope to pass on to our children and students the colorful dances and traditions that are part of our identity as a people. We will solicit audience feedback as well as monitor the number of children that become part of our organization and attend our cultural events in the future.
Ten dances were fully recorded at high quality and production value. From this we will be able to produce shareable videos for online presentation. Four dances have been presented; two each on two different occasions for on-line events: Both events were Zoomed live. CSFA's presentations resulted in positive feedback from the producer of the events. No other metric was employed.
Other,local or private