Folk and Traditional Arts
Folk and Traditional Arts
Black Storytellers Alliance will celebrate the thirtieth annual Black Master Storytellers Festival, promoting and perpetuating the African/African-American art form.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Officer at-large, Minnesota State Arts Board; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Secretary/Treasurer, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
Anne Adabra: Founder and chair, Minnesota Haitian Cultural Center; social studies teacher; dancer and storyteller; Carol Colburn: Teacher and researcher, Scandinavian garment making; Rhonda Dass: Professor of anthropology, Minnesota State University, Mankato; Lesly Gámez: Teacher, St Paul Public Schools. Dancer, Los Alegres Bailadores; Sarina Partridge: Educator and musician; Mai Vang: Founder of Hmong Museum; collections manager at Minnesota Museum of American Art; Gwen Nell Westerman Wasicuna: Poet and fiber artist
ACHF Cultural Heritage
BSA uses two important storytelling tools: primary orality evoking emotional connection and audience interaction: they share the production's power. BSA will use a professionally developed survey instrument to evaluate how folks felt about the performances. This evaluation tool will seek to capture what the audience and artists gained from the experience in their own words.
Black Storytellers Alliance used primary orality thsat evokke emotional connections and audience interaction. We used a professionally developed Online survey instrument, unsolicited telephone and email responses. 2: Black Storytellers Alliance demonstrated to Minnesotans how folk and traditional art forms are practiced and how they transmit cultural values. Black Storytellers Alliance used our professionally developed survey instrument to capture responses from attendees in their own words. However, we were assisted by an overwhelming number of unsolicited phone and email response, too.
Other,local or private