Flexible Support
Flexible Support
Twin Cities Horror Festival 12
Amanda Cortes: Artspace and Springboard for the Arts; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Juxtaposition Arts; Ross Anderson: Praxis Photo Center; Gretchen Burau: American Museum of Asmat Art; Kathryn Mattson: arts supporter; Chavonn Williams Shen: Minnesota Prison Writing Workshop; Ronald Salazar: Birch Grove Elementary School for the Arts
Courtney Cochran, Artistic, Accessibility/Disability Access, Equity, Diversity, Inclusion; Dan Adolphson, Artistic, Audience Development / Marketing, Fundraising; Laura Narhi, Artistic, General Management / Administration, Organizational Development; martha bird, Accessibility/Disability Access, Artistic, Equity, Diversity, Inclusion; Rebecca Froehlich, Artistic, Education, Marketing/Audience Development;
ACHF Arts Access
A reduction in geographic, cultural and/or physical barriers to arts participation; A change in knowledge, attitude, behavior or condition due to public art, arts festivals or arts events; Artists expand and improve their work and the way in which they create it. Artists/arts groups are strengthened by connecting to their communities through the arts; Artists connect to new audiences, building relationships that provide artistic growth. Interviews/Conversations with participants ; Interviews/Conversations with board/staff/leaders ; Reviewing recorded information or documentation (such as finances, attendance records, work plans) ; Observation ; Surveying (paper or online)
Twin Cities Horror Festival 12 met our artist goals of 100% of the ticket sales (a total of $37,130.00) going back to the producing artists, supporting small theaters with strong, positive artist responses in post-event surveys. We saw several sell-out sh
Other,local or private