Flexible Support
Flexible Support
Strengthening the Back Bone of?Revolution?Dance Works
Cristeta Boarini: 826 MSP Program Director; Robyn Cline: City of Savage Economic Development Commissioner; Amanda Cortes: Artspace and Springboard for the Arts; Paul Creager: Square Lake Film and Music Festival Founder and Director; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Craig Dunn: Access Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Christal Moose: Native Arts Collaborative Agency and Native Pride Productions, Inc. Arts Manager and Artist; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Independent Consultant; Andrea Sjogren: Community Education; Lue Vang: McKnight Foundation Accountant; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Augsburg College Assistant Director of Leadership Gifts.
Averie Mitchell-Brown, Equity, Diversity, Inclusion, Artistic, Education; Chad Holliday, Artistic, Education, Program Development; Chandler Daily, Organizational Development, Artistic, General Administration; Emily Matthees, General Management/ Administration/ Support, Marketing/Audience Development, Technical Production; Genoveva Castaneda, Technical Production, General Management/ Administration/ Support, Artistic; Michael May, Artistic, Education; Sophie Liu-Othmer, Community Education, Community Service / Development, General Administration.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
A reduction in geographic, cultural and/or physical barriers to arts participation; a change in knowledge, attitude, behavior or condition due to arts events; arts groups' are strengthened by connecting to their communities through the arts; artists expand and improve their work and the way in which they create it; artists connect to new audiences, building relationships that provide artistic growth. Interviews/Conversations with participants ; Community dialogue (group conversations with a large group) ; Reviewing recorded information or documentation (such as finances, attendance records, work plans) ; Observation
Interviews with participants mid-way through the project, observation, journaling throughout and surveying at the end were used as methods of evaluation. The outcomes achieved include a reduction in physical barriers to arts participation, and more opportunities to connect to our community through arts programming.