Flexible Support
Flexible Support
Count of Monte Cristo Web Series
Cristeta Boarini: 826 MSP Program Director; Robyn Cline: City of Savage Economic Development Commissioner; Amanda Cortes: Artspace and Springboard for the Arts; Paul Creager: Square Lake Film and Music Festival Founder and Director; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Craig Dunn: Access Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Christal Moose: Native Arts Collaborative Agency and Native Pride Productions, Inc. Arts Manager and Artist; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Independent Consultant; Andrea Sjogren: Community Education; Lue Vang: McKnight Foundation Accountant; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Augsburg College Assistant Director of Leadership Gifts.
Amy McGarness, Artistic; Barbara Haugen, Artistic, Audience Development / Marketing, Organizational Development / Planning; Briauna Williams, Artistic, Education, Marketing/Audience Development; Cigale Ahlquist, Fundraising, Organizational Development, Audience Development / Marketing; John DuBose, Education, Equity, Diversity, Inclusion, Artistic; Kevin Yang, Youth Programming, Artistic, Community Education; Samantha Prudhon Falkowski, General Management/ Administration/ Support, Education, Artistic.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
Residents learn new arts skills and techniques; residents gain awareness and appreciation for artistic disciplines and mediums; artists build their capacity through professional development. Interviews/Conversations with participants ; Interviews/Conversations with board/staff/leaders ; Community dialogue (group conversations with a large group) ; Reviewing recorded information or documentation (such as finances, attendance records, work plans)
Evaluation was done mainly with conversations with participants and reviewing documentation. Despite the majority of our work being done only 2 or 3 artists at a time (director, actor, assistant) most of our actors expressed joy at being able to work again (early fall 2021) and that even though they were not working directly with their scene partners, there was still a sense of camaraderie; a few were able to discuss the project with their co-actors who they knew before or met concurrently to the project. At least one pair who had not met before the project were able to chat about their characters together, and were grateful for the connection. The strange format of shooting without your scene partner was difficult for many, but most (not all) said that they were happy for the safety measures and that it was worth the ability to make art again.
Other,local or private