Flexible Support
Flexible Support
Semi-Staged Production of St. Matthew Passion by J.S. Bach
Cristeta Boarini: 826 MSP Program Director; Robyn Cline: City of Savage Economic Development Commissioner; Amanda Cortes: Artspace and Springboard for the Arts; Paul Creager: Square Lake Film and Music Festival Founder and Director; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Craig Dunn: Access Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Christal Moose: Native Arts Collaborative Agency and Native Pride Productions, Inc. Arts Manager and Artist; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Independent Consultant; Andrea Sjogren: Community Education; Lue Vang: McKnight Foundation Accountant; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Augsburg College Assistant Director of Leadership Gifts.
Basil Considine, Artistic, Education, General Management/ Administration/ Support; Dustin Steuck, Artistic, General Management/Administration/Support, Equity, Diversity, Inclusion; Kim Peterson, Organizational Development, General Administration, Volunteerism; Mitchell Frazier, Technical Production, Education, Artistic; Nicole Hoesktra-Voves, Equity, Diversity, Inclusion, Education, Artistic; Nouf Saleh, Artistic, General Management/ Administration/ Support, Equity, Diversity, Inclusion; Rachel Castro.
Metropolitan Regional Arts Council, Kathy Mouacheupao (651) 645-0402
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
Residents build connections to their own and others' cultural heritage through events and/or activities; MN folk and traditional artists/audiences are expanded; MN folk and traditional artists see an increase in demand for work. Interviews/Conversations with participants ; Interviews/Conversations with board/staff/leaders ; Reviewing recorded information or documentation (such as finances, attendance records, work plans) ; Observation ; Surveying (paper or online)
Methods utilized for evaluation included surveys sent to our BIPOC Emerging Artists, the Emerging Artist mentors, the leadership of the involved youth choirs, and ticket holders; patron data was assessed and conversations were held with board members, volunteers, and concert attendees. We succeeded in making a small but hopefully meaningful contribution towards the diversification and inclusivity of classical musicians while connecting with new audiences and youth choir collaborators.
Other,local or private