Community Arts
Community Arts
Interface
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director.
Aryca Meyers: Volunteerism, Audience Development, Marketing, General Administration; Chanida Phaengdara Potter: Audience Development, Marketing, Community Service, Development; Dan Pinkerton: Artistic, General Administration, Audience Development, Marketing; Daniel Tran: Community Education, General Administration, Artistic; Leslie Carey: Audience Development, Marketing, Community Education, Education; Lindsey Hunter: Fundraising, Audience Development, Marketing, Organizational Development; Margo Gray: Artistic, General Administration, Organizational Development; Molly Parker Stuart: Artistic, Community Education, Disabilities Specialist; Shruthi Kamisetty: Community Service, Development, Fundraising, Organizational Development.
ACHF Arts Access
Interface will be an exhibition of fashion, creativity, and culture that is determined and expressed by artists of color (specifically Hmong, Latino, and Black)ůa segment of the community that is often unseenůworking together to create a cohesive arts exhibition. The exhibition's outcome will be to provide visibility and representation primarily to POC makers in the local fashion community, and will create a space that celebrates and welcomes the talent of artists that have diverse experiences. By creating this space, we will also hold a public panel event wherein we will invite a large group of attendees to hear of POC maker's experiences in the fashion community, and we will discuss the need and possible solutions for inclusivity within the local fashion community. We will use qualitative and quantitative measures to evaluate the project. Our quantitative indicators include number of people attended (and diversity of audience), suggested donations collected during the opening reception (attendee donations will be optional and voluntary, and these donations will further cover costs of this project), number of surveys collected, number of views and likes on social media, and number of people that sign up to stay in contact with us through our email newsletter list. Qualitative data will be collected through observation of engagement during artist talk, level of satisfaction as indicated through surveys, and talking to audience members during the event.
Other,local or private