Community Arts
Community Arts
Summer Performance Series
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director.
Adlyn Carreras: Artistic, General Administration, Education; Bob Olsen: General Management, Administration, Organizational Development, Planning, Fundraising; Cheryl Caponi: Organizational Development, Finance, Artistic; Cristeta Boarini: Community Education, Community Service, Development, Artistic; In i Augustine: Volunteerism, Community Service, Development, Audience Development, Marketing; Mary Jo Lewis: Artistic, General Administration; Rachel Bender: Community Education, General Administration, Education; Samty Xiong: Organizational Development, General Administration, Community Education; Sue Swenson: Education, Community Education, General Administration.
ACHF Arts Access
Our quantitative outcomes for Joseph and the Amazing Technicolor Dream Coat include 60 people participating in the cast and crew and an attendance for all performances of 1500. Our qualitative outcomes include expanded community participation in the arts and new relationships formed between cast and crew, to produce a high quality memorable show for those in attendance, and to bring the first time experience of musical theater for hearing impaired through our ASL interpreters at all indoor performances. We will evaluate the outcomes through audience/participant count, audience and participant surveys and cast post-performance feedback. We also plan to produce a post-performance evaluation tool for our ASL audience members.
Other,local or private