Community Arts
Community Arts
Wicked Little Myths Funding for Wicked Little Myths, a multi-media modern dance performance, visual art installation, and figure drawing salon. Wicked Little Myths will be performed six times over two weekends in October 2017.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Denise Prosek: Artistic, administration; Jeanne Morales: Finance, artistic, fundraising; Edie Abnet: Artistic; Jessie Roelofs: Education; Liz Lassiter: Youth programming, artistic, community education; Brittany Lynch: Artistic, organizational development, community service; Maja Wheeler: Artistic, general administration; Mike Alberti: Artistic, education, finance; Tom Loftus: General administration, audience development, artistic.
ACHF Arts Access
A diverse group of artists from several disciplines will participate in the creation and performance of Wicked Little Myths, including: 8 visual artists, 4 choreographers, 4 composers, 3 musicians, 1 theatre director, 1 writer/dramaturg, and 1 performer. 300 people will attend one of the six performances. There will be an audience count and feedback will be gathered through post-performance discussions and surveys. Collaborating artists will complete a survey.
Twenty six collaborating artists participated in the creation of a "solo" performance. 126 people attended six performances over two weekends.
Other, local or private