Community Arts
Community Arts
What the moon sees.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Abby Frank Taylor: General Administration, Artistic, Audience Development / Marketing; Betsy Mowry Voss: General Management / Administration, Youth Programming, Community Service / Development; Jake Anderson: General Administration, Finance, Audience Development / Marketing; Junauda Petrus: Artistic, Community Education, Community Service / Development; Leah Battin: Education, Artistic, General Administration; Mackenzie Catton: Artistic, General Administration, Volunteerism; Prabana Balapuwaduge Mendis: Artistic, Organizational Development, Education; Sarah Borchers: Community Education, Fundraising, Organizational Development; Tikki Brown: General Management / Administration, Organizational Development, Community Service / Development.
ACHF Cultural Heritage
600 people will attend "What the Moon Sees" to experience the best of contemporary and traditional flamenco. Audience surveys will indicate that 90% of respondents found that flamenco dance effectively communicated perspectives of the homeless through CASITA. We will use attendance records for "What the Moon Sees" to determine total audience size and past records to determine increases or decreases. Audience surveys will be used to determine qualitative responses from audience members regarding their performance experience.
583-people paid admission for the performance and 39 people attended free of charge as part of our "Pay What You Can" (PWYC). 9% of the audience had never attended a Zorongo performance, which was driven by PWYC, and 48% had seen six or more performances. 98% of survey respondents said they would attend another concert, and 13% said they would like to participate in a flamenco class.
Other,local or private