Community Arts
Community Arts
EARTHA!.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Chanida Phaengdara Potter: Audience Development / Marketing, Community Service / Development, Community Education; Kate Mohn: Fundraising, Community Service / Development, General Administration; Michelle Chang: Community Service / Development, Organizational Development, Education; Naomi Crocker: General Administration, Education, Organizational Development; Paul Eastwold: Education, General Administration, Disabilities Specialist; Sophie Peyton: Artistic, General Administration, Community Service / Development.
ACHF Arts Access
The participating performers will achieve a higher rate of experience and success in their chosen fields, as well as a knowledge of past music forms. The audience will become acquainted with a bygone star, including her history in entertainment and politics, and her lasting effect on both. Audience surveys will be distributed and tabulated. Ongoing discussions throughout the pre-production time, rehearsal time, and production time, will be held with cast members and production staff. Post-performance discussion will be held with a group of audience members, and a feedback session reviewing the audience surveys and experience creating, mounting, and staging the show will be held with actors, production and artistic staff. These results will be transcribed and distributed to all participants and will be included in the final report submitted to The Metropolitan Regional Arts Council.
Attendance by 350 people indicated a positive response to the company's production. Over 75% of the audience and participants' surveys indicated a positive response to the experience; many of whom had never heard of Eartha Kitt but indicated a desire to learn more about her, as well as the music and dance forms presented in the production. Many of the performers plan to participate in more shows.
Other,local or private