Community Arts
Community Arts
2019 Powderhorn Porchfest.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Chanida Phaengdara Potter: Audience Development / Marketing, Community Service / Development, Community Education; Kate Mohn: Fundraising, Community Service / Development, General Administration; Michelle Chang: Community Service / Development, Organizational Development, Education; Naomi Crocker: General Administration, Education, Organizational Development; Paul Eastwold: Education, General Administration, Disabilities Specialist; Sophie Peyton: Artistic, General Administration, Community Service / Development.
ACHF Arts Access
The 2019 Powderhorn Porchfest survey data from artists, attendees, and volunteers will show that more than 40% identify as a person of color, and that more than 75% look forward to participating in the 2020 Powderhorn Porchfest music festival based on their current year experience. The 2019 Powderhorn Porchfest committee will leverage a series of surveys to capture attendee and volunteer insight. The group will also conduct an event debrief meeting with committee members and Porchfest stage curators to ascertain what went well and specific areas for improvement.
The 7th Annual PPF music festival drove two core outcomes in 2019. From a qualitative perspective, the popularity and community enthusiasm for the event remains high. This was evidenced by a range of positive comments across various social media platforms and participation by an estimated 3,500 on curating a diverse group of musicians across their musical genre, race/culture, age, and ability.
Other,local or private