Community Arts
Community Arts
The New Ruckus Composer Nights.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Alneida Madrigal: Youth Programming, Organizational Development, General Administration; Kit Leffler: Artistic, General Administration, Organizational Development; Larry Weinberg: Artistic, Community Education, Youth Programming; Maia Maiden: Artistic; Margo Gray: Artistic, General Administration, Organizational Development; Pam Russell: Fundraising, General Administration, Volunteerism; Ying Vu: General Administration, Finance, Artistic.
ACHF Arts Access
We will be successful if we involve 48 different composers from diverse aesthetic backgrounds, and if those composers indicate that the experience was valuable not only to their artistic entrepreneurship, but to their growth and sense of purpose as an artist. Audience attendance and satisfaction is another criterion, and we will be expecting to serve approximately 250 people. We will be successful if our audience members indicate that the experience was rewarding and helped them gain new insight into the creative process. As we proceed throughout the year, we will track/count participation of composers and audience members and engage in dialogue with both groups to improve our program. We will ask participating composers to fill out a simple evaluation after their Composer Nights experience. Whenever possible, we will meet in person with composers to discuss what elements they most valued from the program and receive suggestions as to changes we might make. There is time after every Composer Night performance for informal conversation with audience members, and we use this time to investigate what attracted audience members, and how we might further expand attendance.
We held nine of our planned twelve events, featuring 34 composer presentations from 29 distinct individuals, and featuring 49 performers, including musicians and dancers. We estimate our total audience at 150.
Other,local or private