Community Arts
Community Arts
Made in Minnesota - Spring 2020 Concerts.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Chanida Phaengdara Potter: Audience Development / Marketing, Community Service / Development, Community Education; Kate Mohn: Fundraising, Community Service / Development, General Administration; Michelle Chang: Community Service / Development, Organizational Development, Education; Naomi Crocker: General Administration, Education, Organizational Development; Paul Eastwold: Education, General Administration, Disabilities Specialist; Sophie Peyton: Artistic, General Administration, Community Service / Development.
ACHF Arts Access
Audience surveys will show that 50% of respondents experienced a From Age to Age "Made in Minnesota" concert for the first time. 75% of the participants will indicate that they found the program and the choir's performance to be inspiring. An audience survey will be developed to generate data regarding the proposed outcomes. In addition to counting the audience members for each concert, we will also gather data to answer questions about whether this is their first-time experiencing a From Age to Age "Made in Minnesota" concert and whether or not they found the performance and program to be inspiring.
The most significant outcome of our project is the fact that we were able to pivot from the original plan of producing three live concerts in the Cities to producing two virtual choir projects that will be available world-wide. This pivot came as the result of something that is uncontrollable. We are resilient in that we are moving forward in a way that is safe for our singers and audience.
Other,local or private