Community Arts
Community Arts
Byzantine Choral Festival.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Chanida Phaengdara Potter: Audience Development / Marketing, Community Service / Development, Community Education; Kate Mohn: Fundraising, Community Service / Development, General Administration; Michelle Chang: Community Service / Development, Organizational Development, Education; Naomi Crocker: General Administration, Education, Organizational Development; Paul Eastwold: Education, General Administration, Disabilities Specialist; Sophie Peyton: Artistic, General Administration, Community Service / Development.
ACHF Arts Access
The 10th Annual Byzantine Choral Festival will feature a free workshop and public concert. Based on previous years, the board estimates that 50+ singers will take part in the workshop and 6-8 choirs will present music of diverse ethnic choral traditions of the Byzantine at the concert that will take place at St. Constantine Ukrainian Catholic Church. The board estimates that the audience count will be 300+ and over 90% will indicate in their paper surveys that they will attend the performance in 2018. The performance will be digitally recorded providing effective means for analysis. Feedback will be collected through Artist surveys and Audience surveys. An audience count will be conducted, and post-performance feedback will be collected at the post-concert reception.
There were 450 paricipants and 94% said they would return next year. 67 singers registered for the workshop. The concert featured high level performances. We had two new choirs and four returning choirs participating in the concert. Professional singers and conductors who lead the workshop, enabled participating singers with limited musical literacy to express themselves artistically.
Other,local or private