Arts Project Support
Arts Project Support
Live at the Rog and Creative Crossroads Performance Series
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Cigale Ahlquist: Fundraising, Organizational Development, Audience Development / Marketing; Delta Giordano: Artistic, Education, Volunteerism; Mally Watkins: Artistic, Education, Community Education; Margot Olsen: Education, Artistic, General Management / Administration; Mark Salovich: Artistic, Organizational Development, Audience Development / Marketing; Michelle Chang: Community Service / Development, Organizational Development, Education; Momoko Tanno Niemi: Artistic, Education, Equity (DEI).
ACHF Arts Access
Audience count will indicate an increase in total attendance by 5%. Online evaluations will indicate increased ratings of "Excellent' and "Fantastic" by at least 10% for total performances. We conduct a manual audience count at each performance (multiple people count and compare their outcomes for a more accurate count.) We also provide an online survey/evaluation for more detailed audience feedback, and plan to initiate a performer evaluation for the 2020 series.
Our seasonal audience count was 2727 people, substantially fewer than anticipated before the pandemic started. Although we were able to reach fewer total audience members, our actual audience numbers per performance were comparable to previous summer counts (and thereby deemed a success). The gratitude expressed by artists and community members was truly the greatest measure of our success.
Other,local or private