Arts Project Support
Arts Project Support
"Signifyin' and Testifyin'"
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Abby Frank Taylor: General Administration, Artistic, Organizational Development/Planning; Alneida Madrigal: Youth Programming, Organizational Development, General Administration; Emma Marlar: Artistic, Technical Production, Education; Hannah Smith: Community Service / Development, Equity (DEI) Specialist, Organizational Development; Keliyah Perkins: Equity, Diversity, Inclusion, General Management/ Administration/ Support, Program Development; Loren Niemi: General Management / Administration, Artistic, Organizational Development / Planning.
Metropolitan Regional Arts Council, Kathy Mouacheupao (651) 645-0402
ACHF Arts Access
95% of the attendees complete the survey instrument will report that they enjoyed the performances by the artists and learned something new as a result. A minimum of 90% of the audience attendees will express orally their high degree of satisfaction with the skills and delivery by the artists at the conclusion of the performances. We will employ an array of options for evaluating our anticipated outcomes based upon our interactive storytelling process and our staunchly held belief that the artist is as affected as is the audience. Our methodology includes all of the following: actual audience count; direct audience participation during storytelling; after performance audience oral feedback; written surveys completed by the audience and artists; as well as online surveys from those in attendance.
we were pleased with the analytic data that indicated we had 2,737 viewers with en estimated 3 persons per viewing household! 98% Very Pleased response to our survey instruments thaat also indicated that they would definitely attend a future event as well as refer others to attend. 87% of those in attendance stated they felt that the event was a truly uplifting/healing experience.
Other,local or private