Arts Project Support
Arts Project Support
MN Dance and the Ecstasies of Influences
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Abby Frank Taylor: General Administration, Artistic, Organizational Development/Planning; Delta Giordano: Artistic, Education, Volunteerism; Isela Xitlali Gomez: Artistic, Community Education, Organizational Development; Madison Rubenstein: Artistic, Marketing/Audience Development, General Management/ Administration/ Support; Suzanne Roberts: Artistic, Community Education, Education.
ACHF Arts Access
By focusing on dance artists from within our local immigrant and refugee communities, specifically Somali, Hmong, and Karen dance makers, Minnesota Dance and the Ecstasies of Influences discussion series will present, and later archive, first-person narratives about contemporary dance practices, dispelling notions around self-expression and innovation being in opposition to cultural preservation and ethnic heritage. This effort will increase awareness of POC dance artists and augment the series' diversity to center only POC voices, while engaging participants to expand their understanding of original dances being created in the region by 50-100%. The series has a history of engaging participants with mapping dance influences as part of the discussion. A successful engagement would include 75-95% of the audience contributing to the map and sharing their personal experiences about dance within the open discussion portion of the events. Artists participating in the events will have a follow-up survey and in person meetings with host organizations to collect feedback after the each event, informing the program team of needs arising throughout the series, and future next steps for partnerships.
Dancing While Somali (October 18, 2020) 1,091 minutes viewed; 853 estimated reach; 247 unique viewers. Dancing While Karen (October 25, 2020) 1,585 minutes viewed; 2,450 estimated reach; 803 unique viewers. Dancing While Hmong (November 1, 2020) 2,436 minutes viewed; 3,314 estimated reach; 912 unique viewers
Other,local or private