Arts Project Support
Arts Project Support
Fall/Winter 2020 Concert Series
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Arneshia Williams: Artistic, Organizational Development, Education; Doug Little: Artistic, General Management / Administration, Youth Programming; Kevin Johnson: Program Development, Artistic, Volunteerism; Mona Smith: Artistic.
ACHF Cultural Heritage
The total audience at the four chamber concerts is expected to be at least 600, with at least 50 first time attendees. The total audience at the community festival Aradhana is expected to be at least 200, with at least 25 participants in individual and group performances. Following each concert, the Executive Committee will review the audience size, artistic success, revenue generated and the overall success of the concerts. This information will be collated, summarized and analyzed by the secretary and PR officers of the Executive Committee and will include audience participation and count, audience surveys and post-performance oral feedback from artists and Executive Committee members.
The audience reflected a cross section of our diverse membership that were able to access live streamed or pre-recorded concerts from home. On the average, 50% of the audience derived more enjoyment from such a format, being pleased with the feeling of proximity to the music that an online concert provided them, 25% longed for the traditional live format and 25% did not express a preference.
Other,local or private