Arts Project Support
Arts Project Support
2 concerts from a 2020 series of four coffee concerts at the Lakeville Area Arts Center
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Jen Arlen: Fundraising, Artistic, Finance / Audit; John Munson: Artistic; Melissa Dargay: Artistic, Fundraising, Audience Development / Marketing and Communications; Nancy Fushan: Organizational Development / Planning, General Management / Administration, Finance / Audit; Sarah Wiechmann: Education, Marketing/Audience Development, Youth Programming.
ACHF Arts Access
Engage audiences in terms of repeat, new, and increased attendance and enthusiasm from varied demographics, measured from concert comments, ticket sales, community financial support, and end-of-season survey. Increase attendance of more varied ethnicities and younger audiences by measurable percentages over previous years, as documented by audience surveys. Quantitative evaluation will measure audience attendance by ticket sales and community support by contributions. Qualitative evaluation and quantitative demographic information will be gathered by audience surveys, including space for comments and suggestion, distributed at the final concert.
Our goal of engaging existing and reaching new audiences was achieved unexpectedly. Though we had no live Lakeville audience, our concert streams reached over 2,100 people from 4 continents. Though we reached out to different demographics in PSAs and social media blasts, it was impossible to get any demographic information beside gender and age from our FB stream or ad demographic information.
Other,local or private