Arts Learning
Arts Learning
Master Intensive Flamenco residency and community classes
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music Teacher and Performer; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney.
Suzanne Roberts: Artistic, Community Education, Education; Pat Samples: General Management, Administration, Community Education, Artistic; Edna Stevens: Youth Programming, Audience Development, Marketing, Artistic; Kelly Nezworski: General Administration, Artistic, Education; Ellen Fee: Youth Programming, Education, Artistic; Xiaolu Wang: Artistic, Community Education, Audience Development, Marketing; Laichee Yang: Artistic; Soozin Hirschmug: Artistic, Community Service, Development.
ACHF Arts Education
Zorongo's Majas (apprentices) receive a 90% or greater rating on comprehension of new techniques taught. On a scale of one, being the lowest, to five the majority of participants rate the workshop four or higher to the question, "Did the workshops meet your expectations?" The evaluation methods for the workshops will include observations by the instructors and Susana di Palma to determine participants' level of comprehension. Additionally, teacher and participant surveys will be used to determine overall satisfaction and personal assessment of progress.
An exciting outcome from this project of working with D’Arch and Ara was watching the growth and professionalism of the Majas and company dancers. These strong women rose above the call of duty to work with these supportive and artistically demanding artists. Artistic Director Susana di Palma rated the dancers 98% on the comprehension of learning these diverse choreographies and techniques.
Other,local or private