Arts Learning
Arts Learning
IN A NEW VOICE VISUAL ARTS RESIDENCY
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Jessika Akpaka; Jon Feulner: Education, Community Education, Youth Programming; Barry Kleider: Artistic, Education, Community Service/Development; Aryca Myers: Volunteerism, Audience Development / Marketing, General Administration; Christian Novak: Fundraising, Audience Development / Marketing; Bao Vue: Youth Programming, Artistic, Organizational Development; G Vue: Education, Organizational Development, Youth Programming.
ACHF Arts Education
Our key outcome is that at least 8o% of participants will report or show evidence of positive change in at least two of the following areas: increased technical skill or knowledge, degree of confidence and/or creative expression, increased opportunity for socialization, and/or improved sense of well-being (mood, affect or engagement). We use what the National Guild for Community Arts Education calls ?multi-sided evaluation technique:? a method suited to assessing outcomes for learners with cognitive or communication challenges. It involves brief interviews with artists, staff and family caregivers and establishing a Log Book in which staff and teaching artist(s) jot down and share ongoing comments, observations, or needed adaptations. To better assess impact for memory loss participants, our Certified Occupational Therapy Assistant will implement an observation tool developed by COMPAS and demonstrated to our staff in COMPAS-facilitated training held at our site this fall. For other participants, we use a short pre/post survey to capture self-reported change in skill or knowledge of the art form, increase in self-confidence and creative expression, increased opportunity for socialization, and/or enhanced feelings of well-being.
We hosted three distinct artist residencies in watercolor painting, collage art, and poetry. These residencies benefited more than 30 unique Wilder Connect clients; we had capacity for ten participants in each session, and most participants attended all sessions of the residency, though some stopped attending mid-series while others joined in late.
Other,local or private