Arts Impact for Individuals
Arts Impact for Individuals
'yeh Chaman hamaara - this Garden is ours'
Amanda Cortes: Artspace and Springboard for the Arts; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Juxtaposition Arts; Ross Anderson: Praxis Photo Center; Gretchen Burau: American Museum of Asmat Art; Kathryn Mattson: arts supporter; Chavonn Williams Shen: Minnesota Prison Writing Workshop; Ronald Salazar: Birch Grove Elementary School for the Arts
Akiem Scott, Artistic, Computer Systems / Web Design, Education; E.A. Farro, Artistic, Education, Program Development; Eric Romani, Technical Production, Artistic, Equity, Diversity, Inclusion; Isabel Lopez, Volunteerism, Accessibility/Disability Access, Education; Jacob Timmons, Education, Artistic, Program Development; Julie Zhou, Volunteerism, Audience Development / Marketing, General Administration; Paddy Tay, Equity, Diversity, Inclusion, Program Development, Volunteerism; Suzanne Wint, Equity, Diversity, Inclusion, Education, Accessibility/Disability Access;
ACHF Arts Access
A reduction in geographic, cultural and/or physical barriers to arts participation; A change in knowledge, attitude, behavior or condition due to public art, arts festivals or arts events; Artists expand and improve their work and the way in which they create it. Artists/arts groups are strengthened by connecting to their communities through the arts; Artists connect to new audiences, building relationships that provide artistic growth. Community dialogue (group conversations with a large group) ; Interviews/Conversations with participants
This grant allowed me to hold virtual voice workshops with 6 South Asian elders and one in-person humming workshop at the Red Eye Theater. I was also able to engage a sand artist for the Red Eye workshop, where participants were able to sensorially intera
Other,local or private