Arts Activities Support
Arts Activities Support
Musical programs for seniors in the metro area
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Alyssa Anderson: Artistic, Audience Development, Marketing, General Administration; Anitra Budd: Artistic, Education, General Administration; Audrey Park: Community Education, General Administration, Audience Development, Marketing; Loren Niemi: General Management, Administration, Artistic, Organizational Development, Planning; Maggy Otte: Organizational Development, Artistic, Fundraising; Natalie Wass: Artistic, Volunteerism, Education; Robyne Robinson: Artistic, General Administration.
ACHF Arts Access
In the 32 performances during this contract period Aug 1-Dec. 21, 2018, we will involve up to 47 artists (singers/director/accompanist) to reach 900 seniors with musical programs in the metro area. We desire to show that 75% of audiences express favorable response to both quality and interest of program, and a survey of the artists will show at least 50% satisfaction with music choice and their personal musical growth though these programs. Estimated counts of the number of people in our audiences will be kept during the contract period and any comments heard both from those in charge and the audience listeners will be noted, and when possible produced by hard copy. We keep records of individual artist's participation and will survey them after the contract period to record their satisfaction of music choice and personal musical growth through these programs.
Singers surveyed the audience and heard after each performance, comments such as: "the singers really enjoyed singing for us," "this was one of the best programs we've heard here yet!" and "We love the musical arrangements." A survey of the singers brought these results: 90% liked the choice of music sung during this period and nearly 100% felt they had grown musically during this project period.
Other,local or private