Arts Activities Support
Arts Activities Support
Public Love
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director.
Ahmed Anzald·a: Artistic, Audience Development, Marketing, Organizational Development; Angela Bernhardt: Fundraising, General Management, Administration, Community Service, Development; Courtney Kupsch: Youth Programming, Audience Development, Marketing, Fundraising; Dee Baskin: Community Education, Volunteerism, Audience Development, Marketing; Kate Tucker: General Administration, Fundraising, Education; Melissa Clark: Artistic, Community Education, Computer Systems, Web Design; Richie Yang: Artistic, Education, Community Education; Victoria Pyan: Artistic, Finance, Community Service, Development.
ACHF Arts Access
We intend to measure the outcomes of this project quantitatively. We will tally the total number of attendees at all of our grant activities (performances and community events) as well as the overall number of artists involved the production. Through audience feedback sessions, and conversations with viewers post-performance, we will ask questions regarding the audiences' ability to sense the inside of the dance, as well as the privacy or intimacy within. In addition, we will ask if they became aware of their body while viewing, and how they touched/connected physically or kinesthetically to the space and to the images/sounds in the work. We will also count the number of people that attend all performances and project events.
Two qualitative outcomes: Audience and participants were surprised by the final production. Attendees said that the work expressed in ways that they did not expect to see, providing a feeling that was "expansive and delightful". Artists in the project experienced new areas of expression as they pushed and expanded their craft into a deeply collaborative and interdisciplinary process.
Other,local or private