Arts Activities Support
Arts Activities Support
Frank Theatre's REVOLT SHE SAID. AND REVOLT AGAIN.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Courtney Kupsch: Fundraising, audience development, marketing, artistic; Kate Tucker: General administration, fundraising, education; Anton Jones: Artistic, education, community service, development; Molly Doran: Community service, development, volunteerism, general administration; Anna Eveslage: Artistic, education; Romi Slowiak: Organizational development, general administration, community service, development; Anitra Budd: General administration, audience development, marketing, organizational development.
ACHF Arts Access
750 people will attend the performances of REVOLT. More than 10 artists will engage in the process of staging the show. Attendance at the show will be tracked through box office records, and feedback will be solicited through post-show discussions and audience surveys. Feedback about the artistic process will be solicited through discussions with the artists after the show is presented.
Over 100 college students who had not previously been familiar with Frank Theatre experienced the production. Nearly 800 people in the Twin Cities metro area were introduced for the first time to an emerging British playwright. Fifteen artists collaborated on an exciting, challenging experimental work and saw their efforts rewarded in a fully realized production.
Other, local or private