Arts Activities Support
Arts Activities Support
Night, Mother by Marsha Norman.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Sarah Abare: Volunteerism, education, youth programming; Adrenne Doyle: Youth programming, artistic, community service, development; Angie Beissel: Fundraising, artistic, organizational development; Binesikwe Means: Artistic, community education, fundraising; Liz Parker: Education, youth programming, general administration; Sharon Day: Artistic, community education, youth programming.
ACHF Arts Access
We anticipate roughly 800 adults 18-85 will attend the production put on by approximately 12 different artists (800 experiencing, 12 participating). We expect that roughly 50% of our audience will be experiencing our work for the first time (based on audience surveys), and that 100% of our artists (participants) will find new and challenging ways to successfully explore and stretch their professional skills in a collaborative and supportive environment. We will administer post-show surveys at each performance (these have historically been an extremely successful method for obtaining audience/participant feedback); we will also talk with audience members after performances for verbal feedback, and gather feedback through email and social media responses and any post-show discussions. For participants, we will have open conversations throughout the preproduction, rehearsal, and performance process, and discuss their experiences after the production closes to assess whether they were able to successfully explore and stretch their professional skills in new and challenging and collaborative ways.
Other, local or private