Arts Activities Support
Arts Activities Support
Global Windows: How the World Sings.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Amy Dillahunt: Fundraising, general administration, organizational development; Toni Wilcox: Education, youth programming, volunteerism; Tommy Sar: Disabilities specialist, community service/development, education; Hawona Sullivan Janzen: Artistic, general administration, community education; Nic Soukup: General administration, finance, artistic; Melissa Clark: Artistic, community education, computer systems/web design; Cori Lin: Organizational development, artistic, community service/development; Sovanneary Phann Sweere: Youth programming, community service/development, artistic.
ACHF Arts Access
Our Quantitative outcome is to involve approximately 70 singers and have 600 people in attendance at two concerts. Our Qualitative outcome is to have 80% or more of the singers and conductors indicate that they feel we reached our goal of artistic satisfaction. Counts of both singers and audience will be made. A post-concert survey will be given to singers and the conductor to receive feedback. This feedback will be presented to the board of directors.
In our post concert survey and discussion most singers shared how challenging it is to go from singing choral music in the traditional method - holding music and relying primarily on the voice and face to express the meaning of the music - to performing with the entire body, as was done in this concert. Even so, 100% felt we met our goal of artistic satisfaction for this project.
Other, local or private