Arts Activities Support
Arts Activities Support
Funding for the 2013 – 2014 season of six baroque music concerts at Sundin Music Hall at Hamline University in St Paul between October 2013 and May 2014.
Julie Andersen: Executive Director of Eagan Art House; Jill Anfang: Program Director at Roseville Parks and Recreation; Melissa Brechon: retired Carver County Libraries Director; Bethany Brunsell: music teacher and performer; Kathy Busch: realtor, Shakopee School Board Member; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Paul Creager: Saint Paul Public Schools Administrator, Square Lake Film Festival Director; Erika Eklund: HGA Architects; Joan Elwell: Lakeshore Players Executive Director; Mary Erickson: Independent School District 112 Community Education; Kristi Gaudette: Prior Lake Savage Community Education; Peter Leggett: Walker West Music Academy Executive Director; Christine Murakami Noonan: Minnesota State Fair Foundation; Margaret Rog: consultant, grant writer; Heather Rutledge: ArtReach Saint Croix Executive Director; Rachel Smoka: Children's Theatre Company Development Officer; Beth Starbuck: vocal performer; Dameun Strange: composer, performer; Melissa Wright: William Mitchell College of Law.
Obi Egwim: audience development, organizational development, development; Joseph Hagedorn: marketing, organizational planning, education; Tom Moffatt: community education, administration, education; Bjorn Anderson: artistic, general management, community service, finance, computer systems; Rachel Levitt: audience development, fundraising, development; Robert Cuerden: marketing, fundraising, organizational development; Michael Robins: artistic, general management, youth programming; Kathryn Tjaden: administration, fundraising, organizational development; Maggie Langenfeld: education, administration, volunteerism.
ACHF Arts Access
To rediscover and reinterpret seldom-heard early music; musicians and music communicates with audience; the program educates the audience in musical and cultural understanding; challenge the performers; build audiences.Audience conversations and surveys; feedback form the board of directors; musicians share personal artistic evaluation with artistic director; quantitative assessment based on ticket sales.
The programming was a mix of well-know composers such as Bach and rarely heard composers such as Mondonville, Dauverge and Babbel; approximately 1/3 of the audience spoke with musicians at the end of every performance; program notes were included for every concert; musicians found the repertoire to be technically and intellectually challenging; 750 individuals attended concerts.
Other, local or private