Arts Activities Support
Arts Activities Support
Black Sea Holidays.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Cigale Ahlquist: Fundraising, Organizational Development, Audience Development / Marketing; Erik Madsen-Bond: General Administration, Audience Development / Marketing, Organizational Development; John Bueche: Community Service / Development, Organizational Development, Artistic; Kate Sheldon: Artistic, Education; Mai Yang: Artistic, Community Education, Education; Quinn Villagomez: Artistic, Audience Development / Marketing, General Administration; Roseanne Pereira: Community Education, Education, Youth Programming; Takara Henegar: Fundraising, General Administration, Organizational Development.
ACHF Arts Access
Proposed outcomes include an audience of at least 300 that includes representatives from all Black Sea countries, 2-3 advance notices from the local media, and meeting income and expense goals. Through survey data, we hope to establish that 80% of attendees and artists were either satisfied or very satisfied with their experience and deepened their understanding of folk culture and music. We will evaluate our efforts through audience/participant counts, audience/participant surveys, artist surveys and post performance feedback. Audience surveys will assess satisfaction with performance and whether participants learned anything new, while artist surveys will assess overall satisfacation with artistic product, collaborative process and interest in future partnerships.
24 audience surveys were overwhelmingly positive, indicating strong satisfaction and value. Many first time audience, attendees from all Black Sea countries. Most learned bout the concert through social media, MPR and KFAI, and were from the Twin Cities. sixteen artist surveys showed satisfaction with the show outcomes. Material selection, artist collaboration, and venue could have been better.
Other,local or private