Arts Activities Support
Arts Activities Support
Gender Reel 2019.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Cigale Ahlquist: Fundraising, Organizational Development, Audience Development / Marketing; Erik Madsen-Bond: General Administration, Audience Development / Marketing, Organizational Development; John Bueche: Community Service / Development, Organizational Development, Artistic; Kate Sheldon: Artistic, Education; Mai Yang: Artistic, Community Education, Education; Quinn Villagomez: Artistic, Audience Development / Marketing, General Administration; Roseanne Pereira: Community Education, Education, Youth Programming; Takara Henegar: Fundraising, General Administration, Organizational Development.
ACHF Arts Access
Gender Reel hopes to achieve two primary outcomes this festival season. The first outcome consists of increasing participation by trans people of color filmmakers, guest speakers, and audience members by 50%. The second outcome includes helping audience members increase their knowledge and understanding of marginalized groups of trans people, such as trans women of color and trans people with disabilities. To evaluate audience experiences while attending the festival, we will hand out an evaluation form asking for feedback. This feedback will consist of assessing each attendees experience of the films themselves: if they find the films educational, if they would recommend them to others, and if they find the content relatable. We will also ask them to comment on their experience of the overall festival: if they find the venue(s) accessible and friendly, if the film schedule is convenient, if the Q and A is informative, etc. Lastly, we will create a second evaluation assessing the experience of those who were more directly involved in the festival, such as volunteers, filmmakers, panelists, etc. This evaluation form will be used to help us flesh out ways to enhance our organizing process and approach and ensure that filmmakers, for example, feel comfortable and supported when submitting work to Gender Reel. Once the festival is over, the Board and ED will review these evaluations and make recommendations.
Gender Reel experienced both a qualitative and quantitative enhancement this year. In general, there was an increase in attendance by individuals new to the Gender Reel experience, such as trans women of Latino decent. Additionally, of those who attended 76% reported feeling "safe" doing so and 84% indicated the event "educated them about topics and issues they were unfamiliar with."
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