Arts Activities Support
Arts Activities Support
Doubt by John Patrick Shanley.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Audrey Anderson: Organizational Development, Audience Development / Marketing, Artistic; Curt Lund: Audience Development / Marketing, Artistic; Heidi Droegemueller CFRE: Fundraising, Volunteerism, Organizational Development / Planning; Kim Peterson: Organizational Development, General Administration, Volunteerism; Monica Cruz Zorrilla: Organizational Development, Community Education, Community Service / Development; Teresa Mock: Artistic, Audience Development / Marketing, Organizational Development / Planning.
ACHF Arts Access
25-50% of the audience stays to talk about the production on nights we have scheduled post-show discussions. Surveys show that 25% of theatergoers are new to Dark and Stormy Productions, showing that we are reaching new audience members. We will administer hard copy audience surveys in each program every night at every performance. We will also speak with audience members after each performance to get their post-performance feedback. We will also check social media and email regularly for additional feedback.
Our surveys show 91% of audiences live in the Twin Cities; 46% are age 55-74, 15% are 45-54, and 27% are 23-44; 80% white, 13% Black, 6% in other BIPOC areas. 37% male, 61% female. 17% LGBTQ2+. Top 3 ways audiences got word: word of mouth (32%); email (20%); social media (17%). 53% were new, 47% were returning. We engaged 14 artists and 510 audience members in 15 performances over 4 weeks.
Other,local or private