Arts Activities Support
Arts Activities Support
Rhythmically Speaking presents . . . The Cohort.
Osman Mohamed Ali: Founder and Executive Director; Lynne Bertalmio: Retired Director; Cristeta Boarini: freelance audio producer, journalist, writer, Tricia Heuring: Public Functionary Executive Director, Alejandra Iannone: Creative Co-Director, Wu Chen Khoo: Technical: Stage Technical Designer,Stage Director, Wendy Lane: Retired Human Resources Consultant, Dayna Martinez: Ordway Center for the Performing Arts, Donna Saul Millen: Events Director, Christal Moose: Manager, Adaobi Okolue: Executive Director, Andrea Sjogren: Adult and Youth Programs Coordinator, Deanna StandingCloud: Program and Community Network Director, Sara Wilson: Attorney.
Chai Lee: General Administration; Erika Dani: Community Service and Development, Finance, Organizational Development; Jamie Marshall: Artistic, General Administration, Organizational Development; Marggie Ogas: Artistic, Community Service and Development, Organizational Development; Martha West: Fundraising, Organizational Development, Audience Development and Marketing; Nancy Cook: Artistic, Education, Community Service and Development; Nina Robinson: Artistic, Volunteerism, Education; Pete Driessen: Artistic, Community Education, Youth Programming.
ACHF Arts Access
Quantitatively, we hope to engage between 15 and 22 artists and 400 audience members in our program, with 75% or more of them rating in their surveys their experiences with 8s or higher on a 10 point scale. Qualitatively, we hope to fully produce four pieces showing a wide array of perspectives on what "staged jazz and American social dance" can be, gathering positive and useful anecdotes from between 3 and 10 involved artists and audience members. We will be administering surveys to both our involved artists and audiences that will gather demographic information to help us get to know the makeup of our audience better and to determine their satisfaction with the programming. We will also hold post-performance feedback sessions with audiences and the board.
Quantitatively, we did engage our artist target number and over 75% of audience members rated their experience as an eight (out of 10) or higher. Qualitatively, we produced four pieces showing a wide array of perspectives on what "staged jazz and American social dance" can be, and gathered positive and useful anecdotes from ten involved artists and audience members.
Other,local or private