Arts Activities Support
Arts Activities Support
Incarceration Play Project
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Ahmed Anzald·a: Artistic, Audience Development, Marketing, Organizational Development; Angela Bernhardt: Fundraising, General Management, Administration, Community Service, Development; Courtney Kupsch: Youth Programming, Audience Development, Marketing, Fundraising; Dee Baskin: Community Education, Volunteerism, Audience Development, Marketing; Kate Tucker: General Administration, Fundraising, Education; Melissa Clark: Artistic, Community Education, Computer Systems, Web Design; Richie Yang: Artistic, Education, Community Education; Victoria Pyan: Artistic, Finance, Community Service, Development.
ACHF Arts Access
Approximately 600 people will share their stories, participate in theater workshops or the staged readings, and/or hear the script as members of the audience during the staged readings. By the end of this project, Wonderlust will be have completed a script that the majority of participants indicate via surveys, post-show discussions, and one-on-one conversations is an accurate and compelling representation of their stories and one they want to see realized as a full production. We will evaluate the success of this development phase of the project based on diversity and depth of participation: have we reached a full cross-section of representation, have they shared the full complexity of their experience, and have we captured that in a draft that the community responds to as resonant, reflective, and provocative to their experience and perception? We will track who and how many participate at every phase, and we regularly survey all participants about their experience, the work itself, and their perception of being heard, understood, and learning something themselves.
Other,local or private