Arts Access
Arts Access
Cantus will engage members of the Twin Cities' Latino community in its "Brave" program on contemporary masculinity, offering access to its concerts and access for young Latino voices to Cantus's platform.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Vice Chair, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU. Secretary/Treasurer, Minnesota State Arts Board.; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery. Officer at-large, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre.
Catherine Belleveau: Founder and artistic director, Mask and Rose Women's Theater Collective; Kaitlyn Bohlin: Director of individual giving, the Loft; Dorinda Broderson: Management consultant, painter; Beatrice Rothweiler: Lawyer and nonprofit consultant; Avinash Viswanathan: Director of community engagement, Nexus Community Partners
ACHF Arts Access
Cantus will establish connections that foster meaningful long-term service to the Latino community. Cantus will survey audience/participants after each performance about programming and concert experience; Cantus will meet with partners pre-, mid-, and post-project to assess real/perceived barriers to participation. 2: Latino teens and artists have their perspectives on modern masculinity shared with a broader audience through Cantus' platform. In addition to measuring quantitative impact through attendance/box office of Cantus 'Brave' concerts, the ensemble will monitor informal qualitative feedback on social media to live-streaming and a social-media hashtag that facilitate discussion.
Cantus successfully laid a foundation for long-term engagement with the local Latino communities. Cantus surveyed the audience, and project manager and Cantus tenor Alberto de la Paz remained in close communication with Esperanza United's Youth Initiatives Specialist to adapt in real time to pandemic-related complications. 2: Latino teens' perspectives on and experiences with migration are shared with a broader audience. Attendance at the final concert, feedback from Esperanza United's teenage participants and administrators, and post-concert surveys.
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