Artist Initiative
Artist Initiative
Ilse will create a workshop performance in collaboration with See Change Treble Choir about aging women in western culture.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Vice Chair, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU. Secretary/Treasurer, Minnesota State Arts Board.; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery. Officer at-large, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre.
Lisa Berman: Dancer; founder of BRKFST Dance Company; Tamiko French: Dance teacher and arts integration specialist, North High School, Minneapolis; Laura Levinson: Movement artist and administrator; Maia Maiden: Dancer and choreographer; Sharon Mansur: Dance and visual artist and educator; Michele Rusinko: Professor and chair of department of theater and dance, Gustavus Adolphus College; April Sellers: Dancer, choreographer; artistic director of The April Sellers Dance Collective
Executive director Sue Gens (651) 539-2650
ACHF Arts Access
I will expand my audience. Audience information will be gathered at the workshop performance. I will take into account total audience participation, and compare the number of names I have on my current lists of attendees to my work to those who are new to my work. 2: I will significantly expand my artistic collaborative process. I will have regular evaluation meetings throughout the creation process and after the workshop production with the artistic director of See Change, the arts organization I am collaborating with, and with the dance performers in the project.
I expanded my audience. The online workshop performance was viewed by 80 people. Half of those were names that were not on my current lists of attendees to my work. 2: I very significantly expanded my artistic collaborative process. I had so many check ins to see how the process was working for everyone due to ongoing Covid changes. This intensified the artistic process, which, with the utmost of care for each other always at the forefront, was an excellent learning opportunity.
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