Patrick will complete and exhibit eight new "paintings as tapestries" that combine her interests in the museum practice of conservation, studio production, and homemaking.
Ardell Brede: Mayor of Rochester, elected 2002; Peggy Burnet: Businesswoman, art collector, and community volunteer. Member of the Smithsonian National Board. Former chair of the board, Hirshhorn Museum and Sculpture Garden. Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design.; Michael Charron: Dean of the School of the Arts, Saint Mary’s University of Minnesota. Officer at -Large, Minnesota State Arts Board.; Sean Dowse, Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Secretary/Treasurer, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
Kimble Bromley: Professor of art at North Dakota State University; nationally and internationally exhibited artist; Patricia Canelake: Artist; Arts Board grantee; Nicole Chamberlain-Dupree: Executive director, MN Marine Art Museum; Seho Park: Artist; art professor, Winona State University; Connor Rice: Multimedia artist; Arts Board grantee; Andrew Shea: Glass artist; Arts Board grantee; Julie Sirek: Visual artist; Arts Board grantee
ACHF Arts Access
I will deepen my knowledge of painting techniques, dying processes, and conservation methods. Eight new paintings will be produced using new research and techniques. 2: Artists and audiences will learn about the intersection of arts administration, studio methods, and everyday making. Attendance will be taken at the public event and throughout the exhibition and the quality of conversation will be used to measure the impact and success of the project.
I deepened my knowledge of painting techniques, dying processes, and conservation methods. I made ten new paintings through new research and techniques. 2: Artists and audiences learned about the intersection of arts administration, studio methods, and making. Attendance was taken at the public event and throughout the exhibition and the quality of conversation, and anecdotal feedback, was be used to measure the impact and success of the project.
Other,local or private