Artist Initiative
Artist Initiative
Catherine Dalton will compose and stage `Bluets,` a large scale, interdisciplinary work for dancer, projection, singers and small chamber ensemble exploring loss, love and friendship.
Ardell Brede: Mayor of Rochester, elected 2002; Peggy Burnet: Businesswoman, art collector, and community volunteer. Member of the Smithsonian National Board. Former chair of the board, Hirshhorn Museum and Sculpture Garden. Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design.; Michael Charron: Dean of the School of the Arts, Saint Mary’s University of Minnesota. Officer at -Large, Minnesota State Arts Board.; Rebecca Davis-Lee: Touring pianist, piano and music theory teacher. Vice Chair, Minnesota State Arts Board.; Sean Dowse, Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Secretary/Treasurer, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
Nicholas Gaudette: Bassist and Arts Board grantee; active with Hear Here Live Music and Movement Festival, Cherry Spoon collective; Janis Lane-Ewart: Long-time arts administrator and consultant; development officer at KBEM Jazz88; Elizabeth Larson: School music teacher; freelance musician; John Munson: Musician with The New Standards and The Twilight Hours; Arts Board grantee; Betsy Neil: Violinist and fiddler; elementary school music and orchestra teacher; Stephen Pelkey: Music faculty at Saint Mary's University of Minnesota; cellist with Rochester Symphony Orchestra and Rochester Chamber Music Society; Andrew Stermer: Composer, producer, and percussionist
ACHF Arts Access
I will expand my artistry by composing and staging a large scale interdisciplinary piece in collaboration with a choreographer and projection designer. The artistic efficacy of `Bluets` will come from verbal and written feedback gathered at pre-performance rehearsals attended by trusted advisors and a post-performance audience discussion and survey.
I expanded my artistry by composing and staging a large-scale interdisciplinary work in collaboration with a choreographer/projection designer. The artistic efficacy of 'Bluets' came from verbal and written feedback from trusted advisors and from post-performance discussion and survey.
Other,local or private