Dow will complete “The Dynamic Range,” a project that looks at how we use photography to explore and depict space. A public program will take place at North House Folk School in Grand Marais.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary’s University of Minnesota. Chair, Minnesota State Arts Board.; Rebecca Davis-Lee: Touring pianist, piano and music theory teacher; Sean Dowse, Executive director, Sheldon Theatre. Board member for Minnesota Music Coalition, Minnesota Citizens for the Arts, and Anderson Center for Interdisciplinary Studies, Treasurer, Minnesota State Arts Board.; David Glenn: Executive director of the Minnesota Project, ceramic artist; Thomas Moss: Consultant to nonprofits and government agencies; Janice Sivertson: Gallery owner and visual artist; Dobson West: Senior advisor, Spell Capital Partners Fund
Joseph Allen: Photographer; Brett Kallusky: Assistant professor of photography, University of Wisconsin-River Falls; Ellen Kingsbury: Photographer; Arts Board grantee; Jeffrey Millikan: Photographer; adjunct professor of photography, University of Minnesota; Vivienne Morgan: Photographer, adjunct professor at Bemidji State University; Stephen Ozone: Photographer and Arts Board grantee; Paul Wegner: Art department faculty teaching photography at Inver Hills Community College, Arts Board grantee; Bonnie Wilson: Consulting curator, librarian and archivist; former curator of photography, Minnesota Historical Society, Oakdale
Executive director Sue Gens (651) 215-1600
ACHF Arts Access
The artist will complete a project that is in progress. I will make the kinds and quantities of photographs that I describe in my Artist Plan. 2: The artist will design, produce, and distribute an information packet to prospective galleries. I will receive feedback from galleries, and hope to secure an exhibition.
This project enabled me to push my technical skills in a way that will benefit my future work. I have invited many people to look at these prints to test their effectiveness. 2: I was able to increase my professional profile through a prestigious exhibition but was unable to persuade commercial gallery representation. Chinese exhibition was more than I had hoped for, but my chief goal was commercial representation in the USA. I was not successful in that regard, but I cannot control the decisions of others.